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PROCACCINI, Giulio Cesare The Mystic Marriage of St Catherine af oil painting


The Mystic Marriage of St Catherine af
Painting ID::  8683
PROCACCINI, Giulio Cesare
The Mystic Marriage of St Catherine af
Oil on canvas, 145 x 145 cm Pinacoteca di Brera, Milan

   
   
     

PROCACCINI, Giulio Cesare St Sebastian Tended by Angels af oil painting


St Sebastian Tended by Angels af
Painting ID::  8684
PROCACCINI, Giulio Cesare
St Sebastian Tended by Angels af
1610-12 Oil on wood, 285 x 139 cm Mus??es Royaux des Beaux-Arts, Brussels

   
   
     

PROCACCINI, Giulio Cesare The Martyrdom of St Sebastian af oil painting


The Martyrdom of St Sebastian af
Painting ID::  8685
PROCACCINI, Giulio Cesare
The Martyrdom of St Sebastian af
Oil on canvas Civico Museo d'Arte Antica, Castello Sforzesco, Milan

   
   
     

PROCACCINI, Giulio Cesare The Mystical Marriage of St.Catherine oil painting


The Mystical Marriage of St.Catherine
Painting ID::  29207
PROCACCINI, Giulio Cesare
The Mystical Marriage of St.Catherine
mk65 Oil on panel 22x29"

   
   
     

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     PROCACCINI, Giulio Cesare
     Italian Baroque Era Painter and Sculptor, 1574-1625 ..Painter and sculptor, son of Ercole Procaccini. Having moved to Milan with the rest of the family in the mid-1580s, he trained as a sculptor, perhaps in the workshop of Francesco Brambilla, and then worked (1591-9) for the workshop of Milan Cathedral. The results of this work are difficult to identify, and the most secure attribution is the left term on the altar of St Joseph. There followed a period (1597-1602) of intense sculptural activity for the church of S Maria presso S Celso, for the fa?ade of which he executed two high reliefs in marble, the Visitation and Birth of the Virgin. In 1597 he may have accompanied his brother Camillo to Reggio Emilia, where Camillo added to his earlier fresco decorations for S Prospero. Between 1597 and 1600 Giulio Cesare is documented as working as a sculptor for Cremona Cathedral, to which two sculptures, St Matthew and St John, were delivered, after many delays, in 1625. He also produced the gilded wood Guardian Angel (1597; Cremona, Mus. Civ. Ala Ponzone) for S Monica, Cremona. From Cremona he travelled to Parma,

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